Hugh Hamilton

Photography

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On assignment: The NY Times

July 27th, 2011

Here's the link to the story: http://www.nytimes.com/2011/07/18/business/global/new-book-tells-tale-of-israeli-arms-dealer-in-hollywood.html?_r=1&scp=1&sq=milchan&st=cse

 

The problem of course, is being sent to meet two authors in a cafe in West Hollywood at midday, who then tell you a tale straight out of a spy novel and you look around the sunny courtyard and wonder how you are going to take a picture remotely dramatic at the lunch table. So you take them to the carpark and channel All The President's Men and meetings with Deep Throat (which they said they did many times during the writing of the book). And then, just as you leave the carpark you find a corridor and bingo. You have the shot. They ran it in color but I like the black and white. Its more dramatic.

Their take
My take
And my deep throat images....
Add a little dramatic light....

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Director Ava DuVernay for The new York Times

January 12th, 2011

One of those people who remind you how much a human being can achieve if they really go for it. Not content with being an A-List film publicist, Ava is also a writer and director of three films and now founder of the African-American Film Festival Releasing Movement.

You can read the story here

http://www.nytimes.com/2011/01/08/movies/08urban.html?ref=movies

Photographed in the Downtown Independent Theatre in Los Angeles with an image from her film I Will Follow screening behind her.

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James Caan

January 1st, 2011

Shot this back in May for the NY Times. For some reason it didn't get published until December 26th...boxing day for those of you who speak my language. He was really not a comfortable subject. The wall of pictures from his films he grouched that it was his wife's idea and he really didn't like sitting there.

There's a great BBC documentary series about Hollywood whose first episode is entitled The Actor. It looks at the careers of both James Caan and Arnold Schwartzenegger from the mid seventies until the mid nineties....Caan begins with the world in his grasp, an Oscar for The Godfather...nothing but offers left right and center. Arnold is this mumbling over muscled Austrian whose agent loudly proclaims (they actually have the footage!) "We're going to make Arnold the biggest movie star in the world!" Cut to twenty years later and there it is. James Caan has made bad choice after bad choice and can only get work in indie films and Arnold is, yes, the biggest movie star in the world. At the time, in the late nineties, he could have made Hamlet if he wanted to. Thankfully James Caan has made it back to respectability now and hopefully we haven't seen the last of his fine, fine talent.

 

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Hugh Hamilton is a an australian photographer living and working in Los Angeles. His website can be found here.
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